The Fat Lady is Singing

Anyway, the Fat Lady is Singing folks.

And we all know what that means.

It's all over.

A sweet and quiet weekend spent working on the endings.
Three of us were left in the Guest House and studio. We worked lots, but I also went out for a couple of delightful walks.

In the end, Nancy and Gerard left mid-afternoon. I cleverly went walking at the same time. All the way to Rialto bridge. Venice has an atmosphere which is intoxicating. What is it??

I loved being out in the streets. In the throngs of people. Looking at the shops. If you want an admission, here it is.... I love shopping. Okay, it's out.

Only reason I didn't buy shoes is because I just don't have any space or weight allocation for shoes. (some of you know my new relationship with shoes ) Too much glass crammed into my bag. But I found lots and lots of tiny little wonderful things to buy. I bought myself a warm purple hat, with flowers on. Crazy. But it will always remind me of Venice. And lots of other things, which I can't reveal in case it blows the surprise for the people who're getting presents. Lucky things.
I love surprises.

Okay, that's it for now.
The studio is empty. See the pic.
Venice said arrivederci to me in the most beautiful way this evening. The light was gorgeous. Thank you Venice.
Thank you Orsoni and all the wonderful people here.
Thank you to myself for being so brilliant and getting myself here.
Thank you to all those who support my brilliant ideas in all the ways they do.

My 2nd mosaic is not yet complete as you can see. I've taken all the materials I need to complete it and will work on it in Holland over the next 2 weeks. Will post some pics when it's done.

Thanks for following me.

Arrivederci

Ciao.

Orsoni Day 12

1. The Maestro, Mel and Antonelle
2. Dominique and her Picasso
3. Nancy and Tibetan prayer flags
4. Gerard with his stunning gold Christ piece. G aspires to working in the Vatican Mosaic studio
5. The street where I live.


A chaotic strange day.

The Maestro came for the presentation of certificates. See pics.
I'm surprised to say, I felt a bit emotional holding the paper that says I have a Master in Mosaic from Orsoni's Bottega (no English word for that, it's like the 'House of the Artist/Craftsman).
I'll probably frame it..... (blush)

I didn't get much work done. People coming in and out of the studio. Ordering bits and pieces to take home. Discussing some future planned mosaic work with Antonelle and how to go about them. Invaluable help in particular with a piece I've started several times and discarded as many.

A lunch, solo in the little restaurant down the canal. A bit like being in my very own version of a Fellini movie. Seated at a table with 5 workmen all rattling at high volume in Italian while eating wonderful food and consuming copious quantities of on-tap red wine. Love it!

Then the rushed farewells in the afternoon. Dominique left for Belguim. The teachers left.

Nancy, Gerard (Swiss) and myself are left for the weekend. All working to finish off the pieces we've been working on.

I've not yet quite understood this next little phase. Nor quite processed the completion of the course So I'm just saying to myself, "Hey, I'm in Venice for a whole weekend. Brilliant!!"
Except of course for the not so little Venetian belly which I've grown thanks to all the Italian bread and pastries I've consumed the past 2 weeks. I need the gym.

Till later.........

Orsoni Day 11

Pics:
1. My mosaic, tonight.
2. Fur coats. Outside the train station.
3. I succumbed. Dark chocolate. Uff! Italian icecream
4. You see! Fur coat.
5. Do you believe me?
6. The exit from our little lane onto the canal. Love it.
7. Antonelle's studio. I want one just like this. She showed us how to cook glue.


I think everyone is starting to experience separation anxiety.
A strange sadness and distance is creeping in.
Tomorrow is our last day in class. Although 3 of us are staying on for the weekend, and will be working in the studio, the course is actually ending tomorrow.
I don't want it to end.
It's been one of those experiences that one never wants to end.
Like falling in love.

I don't care about the certificate ceremony tomorrow. I want to be Italian. I want to live in the glass factory. I want to marry all the colours. And have babies with Gold. I want to meditate in front of the furnace and watch the birth of Galaxies in the molten glass. I want to be one of the powerful people who lean their weight into the giant metal bars and stir the fiery liquid in the crucibles.
And I want to spend every day cutting glass into fragments and building new worlds out of the broken pieces.

I've loved being a student. (And I've loved the luxurious parts of being a student here). I relish my own room, the space, my shiny white bathroom and the haphazard way I've run my meal times. Adrenaline has been my companion throughout, the early mornings, the late nights, the even later nights spent blogging and watching movies on my Apple in bed. All Wonderful.

My fantasy of wandering down the street in the chilly weather, wrapped up warmly, finding a tiny tratorria and reading my book while I eat delicious Italian fare has been lived out, and proven to be utterly divine.

It's been a great privilege to have Antonelle and Mirta around all day. Both in their own way contributing to this being an outstandingly successful learning experience.
Perfecto!!

I don't want to go home.
So I salute myself for booking my return flight to Holland on Monday rather than flying out straight after the course ends.
I need these extra days to wind down and prepare for moving back into the world.

Enjoy the fun pics from the day.
I'll be back tomorrow.

Orsoni Day 10

Pics:
1. Placing the last piece.
2. There she is. On the easel.
3. That's the fab restaurant. 2 people sitting outside.
4. Here we go again.
5. Same same, but different.


I've packed 3 quarters of my clothes into a box which I bought at the Post Office today. Most of them are dirty, and I have to say that I think this plan is a stroke of genius. I'm posting them to Holland where I'll be for 2 weeks when I leave Venice. I brought far too many clothes, and while I've enjoyed dressing up every morning, I spend most of the day in a dirty apron, so it's a bit of a waste. I think the box is weighing in at around 10kilograms (that's approx 22pounds in Americanese)

Does anyone guess where this is going yet?

Of course!
I'm freeing up space and weight in my suitcase so I can carry glass home. That was pretty obvious huh. And while I can live without my clothes for a week or two, I'm not sure that I can live without my glass. And this from a woman who's sporting a band-aid on every finger except for the pinky. Committed is what I am.

So, the wonderful moment arrived. I placed the last piece of smalti into my mosaic around 11am this morning. Mirta took the lovely shot of me doing it. Infact, I knew that later I'd have to correct a small section at the top of the piece, but it was wonderful to feel that finishing moment. So HorseHead Nebula spent most of the day displayed on the easel. Happy.

A huge sense of relief for me.

I decided to treat myself to a special lunch at the little local restaurant which the teachers took us to the first day of the course.

And what a gorgeous day in Venice today. Just stunning. Sunshine, not too cold, everything shining and just beautiful. Off I toddled to the post office to buy my box and then to the restaurant who's name I don't remember. It looks like nothing from the outside. Inside every table bar one was taken. It's small, very crowded with locals and extremely noisy. I took the free table. I thought Nancy might join me so I felt okay about taking a 4 seater alone.

After 5 minutes the waitress seated and elderly couple at my table. No problem.
They didn't speak English, we smiled at each other. I tried to restrain myself from stroking her fur. It's getting harder for me. I ordered the grilled chicken. It's time for some protein folks. I've been living on bread and pastry for a week and with no gym, dancing or mountain walks, well, you can just imagine what my waist line is looking like.

Anyway, I was half way through my chicken and vegetable ( brusselsprouts and peas which were cooked to destruction and then smothered in olive oil and tasted fantastic), when the last seat at my table was filled by a man.

He greeted me in English. Great! It's nice to be able to talk to the people you're eating with. So we chatted, and he asked me how I'd discovered the restaurant. He explained that it's really just for locals. Since it's on the 2nd biggest canal in Venice, many of the boat drivers and other work people come to eat here. It's like the 'Trucker's Diner', of Venice. But the food is delicious. And the man was too. An Italian mathematics lecturer at the university. In fact, he wasn't very good looking at all, (one of his eyes was, well..., not in the conversation at all). But what is it about that Italian accent. Sigh!

Lovely meeting. Great meal. Excellent conversation. Beautiful weather. Good to be out and about in Venice.

I've started on my second mosaic now. This is the terrestial part. You can see from the pic above. Earthy colours. It was taken by my darling friend Diana from Vancouver. She took it when we were in Egypt in 2008. Luxor to be precise. It's the most beautiful thing I saw in Egypt. And Diana captured it exquisitely. I loved this pic when I first saw it and asked her then if I could make a mosaic of it one day. Here goes Diana!

I went down to the gold cutting room where the colour samples are kept. I had to select the colours I need for this project. It's truly an amazing place this. The materials are superb. Choices, choices choices. Libran agony. I don't know how I'll live without all this glorious booty around me.

The new project is a big undertaking, but I'll be in Venice till Monday, and I'll be able to work on it all weekend. Although, since I finished the first one, I don't feel pressured anymore, and I know I can take materials home and finish it there.
And besides, I'm feeling a little seduced by Venice now. (About time!)

I went out this evening for a little walk, and to purchase a couple things I needed. All fell down in the nutrition department, and I supped on two Frettelles (yummy pastry thingys ) and a cup of tea. My 5 Roses are running low. Any chance someone can post me some? Just kidding. Everything's so perfect here, even the tea is good.

Enjoy the pics.
Thanks for all your wonderful comments and encouragement. I really appreciate it.
Don't stop.

Orsoni Day 9

Got to bed way too late and way too tired to write anything. But here's a latest pic of the Horse Head at midnight Tuesday night. I just couldn't see clearly enough to finish the last little bit. It will be finished today and a couple things changed before I start on my next work.
From Celestial, I'm going Terrestial.
Wait for it.

Orsoni Days 7 & 8

Note to all: NEVER think that you'll be able to lose ANY weight when you're in Italy. Even if you are living like a student. A diet of high carbs and sugar just doesn't do it in the weigh-less world. (Micky will understand this)
Note to self: Do NOT go for a cholesterol test for at least 6 weeks after getting home. (be quiet Vic, if you reading this.)

There's a reason why the 'Eat' part of Elizibeth Gilbert's book 'Eat, Pray, Love.' took part in Italy.

I swear I only entered the baker this evening to buy a little bread for my lunch tomorrow so I don't have to go out. But! Big mistake!

I managed to avoid the unbelievably scrumptious fretelles with cream and zablione (an almost unbearably rich creamy/custardy kind of stuff which I believe is also full of some exotic liquour). But unfortunately I fell over at the small crumbly biscuit looking things whose name I didn''t catch, but were comsumed by me, in their entirety tonight. The entire bag tonight! Along with the two small vegetable pies. I thought I should at least take something with vegetables tonight. Pity about the rich buttery pastry around them. Ah well. At least I do have a bit of bread over for my lunch tomorrow.

Sunday was really just work work work.

We managed to find an excellent radio station on the hi-fi in the studio. So we have non stop rock, ranging from the 60's till present time. Radio Captitol. (please say that with an Italian accent when you read it) Brilliant. Even the adverts sound sexy. And of course I've no idea what they're about which also helps. Hopefully I'll pick up a bit of the language this way. I've already worked out that voo voo voo, must stand for, www when a url is given out. And cinqo cinqo kwacinqo (sp) means hundreds and hundreds and hundreds.
Other than that I'm really all about hello, goodbye and thank you. That's about it.

So we all sit and work for hours on our pieces, with very little talk, but lots of good good music. I'm amazed at how many songs I recognise, and can name the artists. If I'm annoying anyone by blurting out this information everytime a song comes on, well, they're all too polite to mention it. I on the other hand, must come across as something of a savage. Coming from Africa and all. I tend to speak my mind, ask for what I need, and state what I don't need. Nancy, I think, finds me a little 'out there'. She seemed particularly perturbed when I reached out and petted one of the fur coats on the water taxi the other day. In my mind, I can't imagine that someone would wear a coat like that and not expect to be stroked.
It was nice and soft, by the way.

The Maestro visited us this morning.
I must say again, he has the most splendid presence. I love him. His suit. His stature. His stance
He holds himself like an aristocrat. And his voice! He's spoken English to us before, but today as he purveyed our work in the studio, he spoke only Italian.Mirta translated. I found it even more fantastic than when he spoke English.

If all the arts have Celestial Beings that look after them, then the Guardian Angel of Mosaic Art, when it speaks to us mere mortals here on earth, sounds just like our Maestro. Deep, knowledgable, honest, profound, inspiring, astute, uplifting, and Italian.

I watched him carefully as he looked. My mosaic was on the easel and he stood in front of it for about 4 or 5 minutes just looking. I watched his eyes. His gaze first went deeply inside himself, and then he slowly shifted his focus and gazed. Eyes only slightly open, I had no doubt his perceptive field was wider than I could even imagine. It really was extraordinary.

I know he took in everything. Information about what he was looking at that went way beyond just looking.

And then he spoke. He drew my attention to a particular place in my mosaic and spoke about the blue moving downward too heavily. He said to take out just 2 or 3 pieces to break that downward pressure. Unbelievable. As soon as he'd told me, I knew Exactly exactly what he meant. And it's so true. And I didn't see it before. But now it's so obvious.

Brilliant!!
This is why I'm here.

Antonelle's direction is also fantastic. She's able to see into the detail and understand what's not working, and to advise how to change it.

It was a slow day for me today. I had a headache, and though I knew it was a critical day in terms of getting to a certain point with the Horse Head Nebula, I just couldn't do more than go slowly.

After the ladies left at 5.30 I had a second wind, and from then until 11.30 tonight, I got more done than I'd even planned.
I'll hopefully finish off tomorrow, and be able to make some head way on my next piece.

Hold thumbs. Not mine though please. They're tired and full of little cuts. Must rest them.

Goodnight.

Orsoni Days 5 & 6

It was kind of obvious that at some stage I'd fall over and have to sleep instead of sitting in bed writing blogs after working for 12 or 14 hours a day.
Just in case anyone was wondering, that's what happened on Friday night. I just fell over.

So, Friday went like this. Up at 07h00. Ignore alarm clock and headache for as long as possible. Crawl out of bed, open the bottle of headache pills that Nancy gave me yesterday, peer into the foreign bottle (American), cringe at the synthetic green colour of the pills, decide to wing it alone without the drugs, so breathe deeply and get on with abluting.

Breakfast at 8. Something I rarely do...eat so early in the morning. Muesli, tea (brought my own, 5 Roses ) and a crispy fresh pastry. Wrap up two slices of bread in a serviette for later. Wrap up the pastry too, as I can't face it so early. Headache abates. Must be the 5 Roses tea and the deep breathing.

I'm in the studio just before 9 and off I go. Cutting. Cutting, Cutting. Applying the morter. Standing back, looking. Discussing colour transitions with Antonella. Searching for new colours. Cutting cutting cutting. I get lost in the process. And I'm in a certain style of Happiness that I imagine Buddhist monks attain after many many years of deep meditation. This is my bliss. I hope I never have to sit for hours and hours in silent meditation with minimum food rations trying to get this merry. This mosaic stuff really works for me. Even the slow parts. The parts that don't feel sure. And the bits that have to be pulled out and reworked.

I'm not totally fond of the parts which hold me back from progressing. That state of fear and anxiety experienced by most artists just before they have to plunge into the creative pool. But I am gaining more trust with that familiar process, and moving through it quicker. Nancy and I have discussed this too.

I had my bread for lunch with a cup of tea. Then back to work.
In fact I wanted to continue working even after Antonelle and Mirta went home for the day at 5.30. But I'd kind of agreed to attend the Sabbath meal at the kosher restaurant down the road, and just a tiny part of me was curious as to how that would be. So I stayed at my work till around 6.30, hoping to miss all the evening prayers and chaos when the 'crowd' arrived from synagogue, and just rather arrive in time to go straight for the food.. (I know.., I'm mercenary. What can I say? )

What an experience!!
So there I was, in Venice. In a kosher restaurant. A Lubavich affair. That's seriously ultra-orthodox, for those who don't know. A fact I myself hardly know...
The place was packed. I really really could have been somewhere in Israel. Singing and shouting. More singing. A warm welcome from the rabbi host, squeezed into a little place at a long crowded table. Not sure what century I was in. The clothes made it look like hundreds of years ago, the hair do's and the male facial hair too. The singing and the noise made me think I was back at school.

Now listen to this....
I'm sitting at a crowded table, in the middle of Venice, attending a religious celebratory meal. The woman sitting next to me who is there with her husband and children, comes from Israel. Chit chat...,"where do you come from?"
Turns out we both attended the same school in Johannesburg!
What are the chances of such meetings?
Not that we turned out to have much more in common. And she was several years younger than me, so we didn't even have many shared memories. But still. What are the chances?

I survived the meal. Survived the food. Survived the 'kosher moffie' from Canada at my table. Survived all the prayers, singing, sermons and benching. I took my cue from the Israeli family and left straight after the meal. Shew! What a diverse and interesting experience to have had here.

I could not wait to get back to the studio. Worked till about 11 and then fell into bed.

Now, as I mentioned. Antonelle and Mirta and all the rest of the Orsoni staff have gone home. It's the weekend after all. We have no teaching or supervision over the weekend, but this is one driven little fivesome, and we're all planning to work the whole weekend.
Well, except for Saturday morning that is.

Nancy and myself got up at the usual time, breakfasted, and headed out to get the water taxi to go to the island of Murano. It's famous. And if you've been to Venice, everyone always asks if you've been to Murano. It's famous for glass of course. Blown glass, hot glass, fused glass, glass sculpture, glass beads, glass jewelry, every thing you could ever imagine in glass.

'Twas a lovely day to be sure. The water ride, the sunshine, walking about the island, meeting the brilliant designer and glass artist Davide Penso whose work I've seen before in one of my books. His necklaces are outstanding. I almost bought one or three, but managed to slap my hand and leave before I did. Umm..... not sure why? Oh yes! The price. Uff! Lots of money.

We visited the museum, in a stunning old building. Glass, glass and more glass. Old glass, ancient glass, modern glass and not so modern glass. History of glass, history of glass making and all that stuff that museums are made of. Good.

Bought some sandwiches, caught the water taxi home, and could not wait to get back to our mosaic work.

I did take a little siesta in the afternoon, and then worked until after midnight tonight. The pressure's on. All self inflicted of course. We're half way through the Master Class, and some of us want to go onto a second piece of work next week. So logically speaking, we should be finishing off with the first one by tomorrow.
I'm still convinced I'm going to do it. What do you think?

I'm going to stop this missive now and get to sleep so I can get up as early as possible and get back to work.

I'm having so much fun. Really!!


Pictures:
1. Murano today.
2. Our street entrance, go through the tunnel, turn left, then right, there's Orsoni.
3. My hammer and hardi tonight.
4. Horse Head Nebula, tonight.